Dhurandhar: The Revenge – Paid Previews Advance Booking Surges to 2.35 Lakh Tickets in National Chains
The advance booking storm for Dhurandhar: The Revenge is intensifying with every passing hour. The Ranveer Singh starrer continues its relentless rampage at the box office even before release, smashing yet another massive milestone in paid previews.
As per the latest updates till 3:00 PM, the film has now stormed past the 2.35 lakh ticket mark in national multiplex chains, taking its total paid preview advance sales to 2,35,650 tickets across PVR INOX and Cinepolis. The explosive surge highlights the extraordinary buzz surrounding the high-octane action spectacle.
Metro Cities Leading the Charge
Major metropolitan markets continue to dominate the advance booking charts. Mumbai and Delhi-NCR remain the biggest contributors, witnessing relentless demand for preview shows with multiple fast-filling screenings across multiplex chains.
Southern Markets Fueling the Fire
The momentum from southern markets is equally phenomenal. Bengaluru, Chennai and Hyderabad are delivering tremendous push to the advance booking numbers, underlining the film’s strong pan-India pull and rapidly expanding audience curiosity.
Paid Previews Setting New Benchmarks
What makes this milestone even more remarkable is that the film has achieved it purely through paid preview bookings. Ticket sales are accelerating at blistering pace across urban centres, with multiplex chains witnessing non-stop booking momentum throughout the day.
With 2,35,650 tickets already sold for paid previews, Dhurandhar: The Revenge is now charging towards one of the biggest preview openings in Indian cinema history, putting several long-standing records under serious threat.
Paid Preview Advance Booking (National Chains)
Till 3:00 PM:
2,35,650 tickets
— CineInfinity
Box Office. Beyond Limits.
Disclaimer: The box office figures are compiled from various sources and internal research. The numbers are approximate and indicative in nature. CineInfinity does not make any claims about the absolute authenticity of the data but believes they adequately reflect the box office performance of the film(s).
