Dhurandhar The Revenge Day 12 Advance Booking: Ranveer Singh’s Box Office Storm Sees Expected Drop After Massive Weekend Run
Ranveer Singh’s Dhurandhar 2: The Revenge enters its second Monday with advance bookings witnessing an expected dip after a record-breaking weekend run.
Till 01:30 PM:
The film has sold around 53,577 tickets across national chains (PVR-INOX-Cinepolis), reflecting a natural drop post the massive Sunday surge.
After an explosive second weekend, the film is now stabilising on weekdays, though the overall trend remains strong, backed by blockbuster word of mouth and sustained audience interest.
Metro cities continue to contribute steadily, with key centres holding better than usual for a weekday, indicating that the film still has strong legs at the box office.
Despite the drop, Dhurandhar 2 remains in a dominant position, having built massive momentum over the weekend. The real test now shifts to how well it sustains through the weekdays before the next surge.
Top 5 Cities Leading Day 12 Advance Booking PVR-INOX-Cinepolis (PIC)
| TOP CITIES | Admits (Till 01:45 PM) | Admits (Till 6.30PM) | Admits (Till 10:30 PM) | Occupancy |
| Bengaluru | 8,738 | 22.9% | ||
| Delhi | 5,235 | 19.9% | ||
| Mumbai | 6,280 | 21% | ||
| Pune | 3,703 | 14% | ||
| Kolkata | 3,183 | 14.9% |
Bengaluru continues its rampage at the box office, recording another 8K+ admits in advance at the national chains for Thursday. Meanwhile, Delhi is showing a terrific hold, especially when compared to its weekend trends, outperforming other key cities.
Ranveer Singh-starrer Dhurandhar 2 is firmly on course for a record-breaking theatrical run at the box office.
Day 12 Advance Bookings (PIC | Till Sun 11:30 PM):
Day 12 Advance Bookings (PIC | Till Sun 6.30 PM):
Day 12 Advance Bookings (PIC | Till Sun 01:30 PM):
53,577 Tickets
— CineInfinity
Box Office. Beyond Limits.
Disclaimer: The box office figures are compiled from various sources and internal research. The figures are approximate and indicative in nature. CineInfinity does not make any claims about the absolute authenticity of the data but believes they adequately reflect the box office performance of the film(s).
