Dhurandhar: The Revenge – Paid Previews Advance Booking Crosses 2.17 Lakh Tickets in National Chains
The advance booking storm for Dhurandhar: The Revenge is getting bigger with every passing hour. The Ranveer Singh starrer continues its phenomenal rampage at the box office even before release, smashing past another massive milestone in paid previews.
As per the latest updates till 11:00 PM, the film has now crossed the 2.17 lakh ticket mark in national multiplex chains, taking its total paid preview advance sales to 2,17,540 tickets across PVR INOX and Cinepolis. The explosive surge reflects the extraordinary buzz surrounding the high-octane action spectacle.
Metro Cities Driving the Momentum
Major metropolitan markets continue to dominate the advance booking charts. Mumbai and Delhi-NCR remain the biggest contributors, witnessing relentless demand for preview shows across multiplexes with several fast-filling shows.
Strong Push from Southern Markets
The response from southern markets has also been exceptional. Bengaluru, Chennai and Hyderabad are adding tremendous momentum to the advance booking numbers, highlighting the film’s growing pan-India appeal and expanding audience curiosity.
Paid Previews Alone Creating History
What makes this milestone even more remarkable is that the film has achieved this feat purely through paid preview bookings. Ticket sales have been accelerating rapidly throughout the day across urban centres, with multiplex chains witnessing blistering booking speed.
With over 2,17,540 tickets already sold for paid previews, Dhurandhar: The Revenge is now firmly on track to deliver one of the biggest preview openings in Indian cinema history, putting several long-standing records under serious threat.
Paid Preview Advance Booking (National Chains)
Till 11:00 PM:
2,17,540 tickets
— CineInfinity
Box Office. Beyond Limits.
Disclaimer: The box office figures are compiled from various sources and internal research. The numbers are approximate and indicative in nature. CineInfinity does not make any claims about the absolute authenticity of the data but believes they adequately reflect the box office performance of the film(s).
