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Dhurandhar The Revenge Day 17 Advance Booking: Weekend Surge Kicks In as Ranveer Singh’s Box Office Run Gains Momentum

Dhurandhar The Revenge Day 17 Advance Booking: Weekend Surge Kicks In as Ranveer Singh’s Box Office Run Gains Momentum

Ranveer Singh’s Dhurandhar 2: The Revenge continues its impressive run at the box office, with Day 17 advance bookings clearly reflecting a strong weekend surge.

Till 11:00 AM:

The film has sold around 76,659 tickets across national chains (PVR-INOX-Cinepolis), indicating a solid jump as weekend momentum begins to build.

After maintaining a steady hold through weekdays, the film has picked up pace with the arrival of Saturday, driven by strong word of mouth and consistent audience demand.

Metro cities are once again showing strong traction, with key centres witnessing noticeable growth, further boosting the film’s overall performance.

With the weekend now in play, Dhurandhar 2 is expected to see an upward trend, reinforcing its strong and sustained box office run.

Top 5 Cities Leading Day 17 Advance Booking PVR-INOX-Cinepolis (PIC) 

TOP CITIESAdmits (Till 11:00  AM)Admits (Till 10:30 PM)Occupancy
Bengaluru7,884 30.0%
Delhi 7,517 28.9%
Mumbai9,350 27%
Pune3,806 23%
Kolkata3,780 22.9%

Bengaluru continues its rampage at the box office, recording another 8K+ admits in advance at the national chains for Saturday. Meanwhile, Delhi and Mumbai are showing a terrific hold, especially compared to previous weekend trends, outperforming other key cities.

Ranveer Singh-starrer Dhurandhar2 has been dominating for quite a while now and is firmly on course for a historic run, now emerging as the highest-grossing Hindi film of all time.
  

Day 17 Advance Bookings (PIC | Till Fri 10:30 PM):

108,431 tickets

Day 17 Advance Bookings (PIC | Till Fri  11:00 AM):
76,659 tickets

CineInfinity

Box Office. Beyond Limits.

Disclaimer: The box office figures are compiled from various sources and internal research. The figures are approximate and indicative in nature. CineInfinity does not make any claims about the absolute authenticity of the data but believes they adequately reflect the box office performance of the film(s).

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